Sunday, April 8, 2007
Our Cyberpunk Anti-hero
According to Lawrence Person, science fiction writer, critic and editor of SF magazine Nova Express, cyberpunk characters are “marginalized, alienated loners who lived on the edge of society.” I think we can all agree with Person that the main character in All Tomorrow’s Parties, Laney, is exactly like that. Come to think of it, he is not our typical heroes either, he is rather…very anti-hero like. Lacking the traditional heroic qualities, such as idealism, our anti-hero, is manipulated and placed in situations where he has little choice and control. Despite the complexity this had lead the character Laney into being, it has also made him very believable and easy to relate to.
To be honest, I was almost disappointment to see Laney as the protagonist of ATP, perhaps because I was expecting to have a real “hero” to come and rescue the day. The fact that he lives in a filthy environment just makes me dislike him all the bit more. However, I can see the purpose of Laney’s character and every detail about him is not without a sense of reality. Laney’s physical state of being (living in a cardboard box) is used by Gibson to bring our attention to the homeless in Vancouver. In particular, Gibson points out the homeless situation around urban areas, as depicted in the novel by the subway station Laney lived beside.
Secondly, Laney’s anti-hero characteristic is shown as more and more of his weaknesses are presented at a greater amount than his assets. Laney’s obsession of Cody Harwood, an effect after being experimentally injected a drug called 5-BS as a child, was frightening to me. (This made me imagined Laney as a psycho thought out the story haha) However my admiration for him grew as he struggles between his drug-induced self and the Laney that works for Lo/Riz. Toward the end of the novel, too, Laney redeemed himself as we discover in Chapter 71 of his heroic aspect: he was courageous as he “ran toward” the confrontation with Harwood. Having seen several dimensions of Laney, Gibson has conditioned us to draw connections between the fictional character Laney, ourselves and the lives around us.
Now, if you will excuse me, it’s time for me to take my 5-SB.
Monday, April 2, 2007
The Moment
When reading All Tomorrow’s Parties by William Gibson, I can’t help but notice his repetitive use of the phrase “the moment.” Gibson specifically uses it to refer to the eventual installation of nanotechnology in all the Lucky Dragons stores in the novel.
Nevertheless it makes me wonder what “the moment” means in a broader sense. I think of people that identify themselves as living in the moment, people that savor their present more than anything and enjoy immediate pleasures in life. The opposite of this, I suppose, are people that live for a greater, more distance goal in the future. Does this mean they are more focused on an ultimate goal in life rather than the steps towards it? I sure hope that it would be a rewarding ending but seeing life as one giant progression into the grave is rather depressing. (Although I’d think that we’re all in between these two extremes)
We live in a society where the final result of something is much more cared about than the entire process. Consider the computer monitor that you’re currently reading this off from. Do you know how it was designed, manufactured and sent into the store you picked it up from, or if it was put together by workers in the third world labor market that works 12 hours a day just to earn a living? Do you care? Perhaps this is what Gibson is suggesting: the process and result is both equally as important.
What do you think?
Forgive and Forget
Sunday, April 1, 2007
The Bridge
With the information obtained thus far, I am disappointed to say the least since the title for one does not necessarily relate to the book and it was a song the author William Gibson (WG) liked from a band the Velvet ....that he also liked. The picture maybe the only object that is symbolic since the bridge community in the narrative is central to a lot of the themes expounded on in the novel.
The bridge is where WG brings his characters together and we the readers get to see how they all relate to each other. Central to the theme of the book and the bridge too is the ability to acquire, retain and re-use things that might be considered refuse plus the introduction of numerous technology; the clocks being repaired by Fontaine, magical epoxy used to stick stuff on the walls, Kilz to cover blood, gundam robot, chain gun, rei toei appearance.
I wish I could extrapolate on this bridge idea further but WG literary technique is quite confusing and leaves alot of loose ends for me; how did Silencio become normal again, did Konrad kill Harwood, rei toei walked out-did she become human or what, what happened to the other characters especially creedmore (i liked him).
someone please enlighten me?!?
Saturday, March 24, 2007
Life itself is a great mystery. The great chemistry that exists in everything intrigues me. I personally, really enjoy reading Margaret Avison's Poems. You could say they're sort of like a mystery to me. This is because poems are similar to puzzles in such a way that you'll have to figure out the meaning of each word itself; why each word is place where they're placed; and the overall effect and message Avison is trying to convey to her readers. As I was re-reading “Cement Worker on a Hot Day”, I was trying to pick out some clues that would lead me to the bigger picture Avison was trying to paint. The first stanza is about how ordinary the “yellow hydrant” is: it is “just a knob shape”. I like how she separates “just a knob” and “shape” and places them on separate lines. It helps to create that ordinary feel for the objects that we see but don’t take the time to notice the details. The next two stanzas quickly step pass the everyday standing hydrant by bringing it into the spotlight by showing what it does best. The hydrant provides an abundant amount of life’s necessity: water. It is interesting to note that the third stanza is not aligned with the other stanzas in the poem. It gives an effect of water “gush[ing]” out of the hydrant. I think she is trying to tell us to take more notice to the objects that we pass by everyday. In the context of Chemistry, it’s like these objects have potential energy (stored energy) and that if we have the time to take notice, we can recognize the other forms of energy it can potentially change into.